“Using a Lena Horne song that was banned in the United States, Alvarez constructs a powerful montage on racial discrimination in the USA…. The film is impressive not only for the resourcefulness with which it uses its found materials, including pirated newsreels, but also for the syncopation of the editing, which intensifies the insistence of the song itself.”
He Who Hits First, Hits Twice: The Urgent Cinema Of Santiago Alvarez
